50 years ago, in April, a group of musicians recorded what most critics consider the best jazz album of all time (and one of my best favourites): Kind of Blue.

If you still dont have this, here is this MILEStone album, in 320 kbps and a bonus track.


Há cinquenta anos, no mes de abril, um grupo de músicos gravou o que a maioria dos críticos considera o melhor disco de jazz de todos os tempos (e um dos meus albuns de cabeceira): Kind of Blue.

Se voce ainda nao tem esse album, de uma ouvida nesses arquivos em 320kbps e com uma faixa-bonus.




Miles Davis - Kind of Blue (1959)

1. So What (Miles)
2. Freddie Freeloader (MIles)
3. Blue in Green (MIles Davis & Bill Evans)
4. All Blues (MIles)
5. Flamenco Sketches (MIles Davis & Bill Evans)
6. Flamenco Sketches (alternate take) (Miles Davis Bill Evans)


Miles Davis – trumpet, leader
Julian "Cannonball" Adderley – alto saxophone, except on "Blue in Green"
John Coltrane – tenor saxophone
Wynton Kelly – piano, only on "Freddie Freeloader"
Bill Evans – piano on all, except "Freddie Freeloader", liner notes
Paul Chambers – bass
Jimmy Cobb – drums
Teo Macero – producer

http://rapidshare.com/files/226955394/ssoonnss_tipoazul.rar



There´s a special 50 anniversary edition out that includes 2 CDs with the full album, more alternate takes and other songs (from a 58 session).
And a documentary on DVD.
Since I´m only upping records I already have in my collection (not the case with this 3-disk case)
I´ll include these links I got from Avax in case someone wants the whole kaboodle.


Tem uma edição especial comemorativa do cinquentenário: 2 CDs contendo o album original, mais takes alternativos e outras músicas (de uma sesssão em 58), além de um documentário em DVD.
Como só estou subindo discos que já tenho (o que não é o caso do pacote triplo)
vou incluir links para os interessados, retirado do site russo Avax,


http://avaxhome.ws/music/jazz/miles_davis_kind_of_blue_50th_anniversary_collectors_edition_2cd_remastered_2008.html

Continuing the interaction between west-coast-jazz and pre-bossa-nova,
apropos the passing of Bud Shank,
here is his 50´s collaboration with brazilian guitarrist Laurindo de Almeida.


Continuando na linha da interação entre o jazz da costa Oeste dos EUA e a fase pré-bossa nova,
motivada aqui pelo falecimento de Bud Shank,
hoje publico a sua série de colaboração com o violonista Laurindo de Almeida.

Leia uma história completa deste disco, considerado um precursor da bossa nova.





Laurindo Almeida & Bud Shank - Brazilliance vol. 1 (1953)

1 Atabaque - Laurindo Almeida & Bud Shank - (Radamés Gnattali) (2:49)
2 Amor Flamenco - Laurindo Almeida & Bud Shank - (Laurindo Almeida) (2:57)
3 Stairway to the Stars - Laurindo Almeida & Bud Shank - (Malneck, Parish, Signorelli) (3:01)
4 Acertate Mas - Laurindo Almeida & Bud Shank - (Osvaldo Farres) (3:03)
5 Terra Seca - Laurindo Almeida & Bud Shank - (Ary Barroso) (3:12)
6 Speak Low - Laurindo Almeida & Bud Shank - (Ogden Nash - Kurt Weill) (2:21)
7 Speak Low (Alternate) - Laurindo Almeida & Bud Shank - (Ogden Nash - Kurt Weill) (2:31)
8 Inquietação - Laurindo Almeida & Bud Shank - (Ary Barroso) (3:04)
9 Baa-Too-Kee - Laurindo Almeida & Bud Shank - ( Laurindo Almeida & Varela) (3:04)
10 Carinhoso - Laurindo Almeida & Bud Shank - (Pixinguinha & João De Barro) (3:35)
11 Toccata - Laurindo Almeida & Bud Shank - (Radamés Gnattali) (4:47)
12 Hazardous - Laurindo Almeida & Bud Shank - (Richard Hazard) (2:50)
13 Nono - Laurindo Almeida & Bud Shank - (Radamés Gnattali) (3:01)
14 Noctambulism - Laurindo Almeida & Bud Shank - (Babasin) (4:39)
15 Blue Baião (Baião) - Laurindo Almeida & Bud Shank - (Luiz Gonzaga & Humberto Teixeira) (3:18)





Laurindo Almeida & Bud Shank - Brazilliance vol. 2 (1958)

1 . Simpatico (S. Wilson)
2. Rio Rhapsody (Laurindo Almeida - Radamés Gnattali)
3. Nocturno (Laurindo Almeida)
4. Little girl blue (Richard Rodgers - Lorenz Hart)
5. Choro in A (Laurindo Almeida)
6. Mood antigua (Bud Shank)
7. The color of her hair (Laurindo Almeida)
8. Lonely (Laurindo Almeida - Bud Shank)
9. I didn't know what time it was (Richard Rodgers - Lorenz Hart)
10. Carioca hills (Laurindo Almeida)




Laurindo Almeida & Bud Shank - Brazilliance vol. 3 (1958)

1. Harlem samba (Laurindo Almeida)
2. North of the border (Laurindo Almeida)
3. Sunset baião (Laurindo Almeida)
4. Round midnight (Thelonious Monk - Bernie Hanighen - Cootie Williams)
5. Toro dance (Bud Shank)
6. Serenade for alto (Laurindo Almeida)
7. Xana-Lyn (Bud Shank)
8. Blowing wild (Webster - Dimitri Tiomkin)
9. Gershwin Prelude (George Gershwin)
10. Waltz Frio y Calor (Bud Shank)

http://rapidshare.com/files/224107905/ssoonnss_brazilianssa1.rar
http://rapidshare.com/files/224172894/ssoonnss_brazilianssa2.rar
http://rapidshare.com/files/224193409/ssoonnss_brazilianssa3.rar

Pure rootsy rock & roll

Rock & roll puro, de raiz



Flamin Groovies - Supersnazz (1969)

01. Love Have Mercy
02. The Girl Can't Help It
03. Laurie Did It
04. A Part From That
05. Rockin' Pneumonia And The Boogie Woogie Flu
06. The First One's Free
07. Pagan Rachel
08. Somethin' Else / Pistol Packin' Mama
09. Brushfire
10. Bam Balam
11. Around The Corner

Roy A. Loney - lead vocals, rhythm guitar, acoustic guitar, clap
Cyril Jordan - lead guitar, vocals, acoustic guitar, clap
Tim Lynch - lead guitar, vocals, mouth harp, clap
George Alexander - bass guitar, vocals, mouth harp, clap
Danny Mihm - drums, percussion, insanity, clap
Tom Scott - clarinet
Curtis Amy saxophone
Mike Lang - keyboards

http://rapidshare.com/files/221842926/ssoonnss_supersnazz.rar

Soundtrack for Holy Week

Trilha Sonora para Semana Santa




Peter Gabriel - Passion: Music for the Last Temptation of Christ (1989)

1. The Feeling Begins (4:00)
2. Gethsemane (1:25)
3. Of These, Hope (3:52)
4. Lazarus Raised (1:37)
5. Of These, Hope - Reprise (2:42)
6. In Doubt (1:33)
7. A Different Drum (4:40)
8. Zaar (4:52)
9. Troubled (2:53)
10. Open (3:25)
11. Before Night Falls (2:19)
12. With This Love (3:35)
13. Sandstorm (3:00)
14. Stigmata (2:30)
15. Passion (7:36)
16. With This Love - Choir (3:22)
17. Wall Of Breath (2:29)
18. The Promise Of Shadows (2:11)
19. Disturbed (3:43)
20. It Is Accomplished (2:51)
21. Bread And Wine (2:22)





Peter Gabriel - Passion Outtakes (1989)

01 The Feeling Begins (extended)
02 Disturbed (alternate)
03 Passion (alternate)
04 Corangalais Theme
05 Bassbowl
06 With this Love (alternate)
07 Wall of Breath (extended)
08 Location Recording - Morocco
09 Location Recording - Unknown
10 It is Accomplished (alternate)
11 Thrills
12 Bread and Wine (flute version)
13 The Feeling Begins (drum version)
14 Of these, Hope (alternate)
15 Lazarus Raised (alternate)


- Peter Gabriel / synthesizer, bass, flute, percussion, piano, drums, keyboards, vocals, vocals (background), Whistle (Instrument), Surdo, producer, double bass, sampling, shaker, Fairlight, mixing
- David Sancious / synthesizer, arranger, organ (Hammond), vocals (back ground), sampling, synthesizer arrangements
- Kudsi Erguner / flute, Ney flute, Turkish flute
- Jon Hassell / trumpet
- Nusrat Fateh Ali Khan - Qawwal
- Baaba Maal / vocals
- Fatala / percussion, percussion programming, African percussion
- Shankar / vocals, double violin
- David Bottrill / tambourine, engineer, slide guitar, mixing, Drones
- Billy Cobham / percussion, drums, tambourine
- Djalma Correa / percussion
- Massamba Diop / talking drum
- Nathan East / bass
- Manny Elias / drums, Surdo, Octoban
- Hossam Ramzy / cymbals, tabla, tambourine, triangle, Finger cymbals
- Manu Katche / percussion
- Youssou N'Dour / vocals
- David Rhodes / guitar
- Lakshminarayana Shankar / violin
- Robin Canter / oboe, cor Anglais
- Mahmoud Tabrizi-Zadeh
- Antranik Askarian / Doudouk, Duduk
- Mustafa Abdel Aziz / Drones, /ercussion programming, Arghoul
- Vatche Housepian / Doudouk, Duduk
- Doudou N'Daiye Rose / percussion, percussion programming
- Julian Wilkins / vocals, choir, chorus, Choir Boy
- Tabrizi Mahmoud Zadeh / Kemence
- Said Mohammad Aly / percussion, percussion programming
- Massamba Dlop / drums


http://rapidshare.com/files/220549148/ssoonnss_paixaodegabriel.rar

http://rapidshare.com/files/220500312/ssoonnss_gabrielspassion.rar

On occasion of the jewish Pessach - which this year coincides with solar Bircat Hachama - I thought of posting some traditional jewish music, or maybe original klezmer songs, but then I remembered this record, which is a modern day recording of a klezmer band (New York based) which mixes in music from several countries (there´s 40 musicians here, from 8 different countries), like mexican horns and the brazilian rhythm of maracatu.

Somewhat appropriate, since jews have been a wandering people. And Manhattan jewdom was born when jews migrated there from Recife (the city of maracatatu) in 1650 (when the portugueses overran the dutch colony in the northeast of Brazil).

This record is a mishmash of sounds celebrating carnaval, joyous and raucous, then funereally picking up the pieces at the end.


Por ocasião do Pessach judaico - que este ano coincide com a cerimonia solar de Bircat Hachama - pensei em postar algo da música tradicional judaica, ou grupos originais de klezmer, mas aí lembrei deste disco, gravação recente de uma banda de klezmer (sediada em Nova Iorque), que mistura música de vários países (tem 40 músicos de 8 países neste disco), como os toques de metais mexicanos e tambores de maracatu.

Um tanto apropriado, por tanto, já que os judeus vagaram pelo mundo. E a colonia judaica de Manhattan surgiu quando judeus recifenses migraram para lá em 1650, com o Novo Holanda daqui virando a Nova Amsterdam de lá (e Recife é a terra do maracatu).

O disco é uma mistureba celebrando o carnaval, alegre, baderneiro, para no fim, funereamente, recolher os confetes pelo chão.





Frank London's Klezmer Brass Allstars - Carnival Conspiracy (2006)

In your Garden Twenty Fecund Fruit Trees
2 Oh Agony, You are So Sweet Like Sugar I Must to Eat You Up
3 Another Glass of Wine to Give Succor to My Ailing Existence
4 Midnight Banda Judía
5 In the Marketplace All Is Subterfuge (Podolye, Podolye)
6 Who Knows One?
7 Pantagruel, Shiker Hindert Prozent
8 A Time of Desire - Curha Mix
9 Our Ancestors Forty Thousand Years Wide
10 Out of What?
11 Mi Yamalay
12 Borracho # 1 The Cobbles in the Street Moan for You

main musicians:
Frank London, trumpet, peck horn
Susan Hoffman Watts, trumpet
Merlin Shepherd, clarinet
Matt Darriau, clarinet, saxophone
Alex Kontorovich, clarinet, saxophone
Curtis Hasselbring, trombone, skronk guitar
Jacob Garchik, baritone horn, trombone
Ron Caswell, tuba
Mark Rubin, tuba, baritone horn, tex-mex guitar
Aaron Alexander, drums



artwork by richard kenigsman

http://rapidshare.com/files/219371268/ssoonnss_carnavalklezmer.rar

West-Coast jazz musician Bud Shank, who passed away last week, had close ties with Brazilian music, specially with his friend and partner, the composer and pianist João Donato. Here are two Donato/Shank albuns, recorded 42 years apart.

O saxofonista Bud Shank, que faleceu semana passada, tinha muitos laços com a música brasileira, principalmente com seu amigo e parceiro João Donato.
Ouçam estes dois albuns da dupla (o primeiro ainda tem o violão de Rosinha de Valença), um gravado 42 anos depois do outro.





Bud Shank, João Donato, Rosinha de Valença (1965)

1. Sausalito (João Donato)
2. Minha Saudade (João Donato - João Gilberto)
3. Samba do Avião (Tom Jobim)
4. Silk Stop (João Donato)
5. Foi a Noite (Newton Mendonça - Tom Jobim)
6. Caminho de Casa (João Donato)
7. Um Abraço no Bonfá (João Gilberto)
8. O Amor em Paz (Tom Jobim - Vinicius de Moraes)
9. Sambou... Sambou (João Donato - João Mello)
10. Tristeza em Mim (Guimarães - Tavares)

Bud Shank: sax alto
João Donato: piano
Rosinha de Valença: violão
Sebastião Neto: baixo
Chico Batera: bateria





Uma Tarde com Bud Shank e João Donato (2007)

01 Gaiolas Abertas (João Donato e Martinho da Vila) 8m42s
02 Joana ( João Donato e Ronaldo Bastos) 8m17s
03 Black Orchid ( Cal Tjader) 7m47s
04 Minha Saudade (João Donato e João Gilberto) 5m35s
05 Night and Day (Cole Porter) 5m32s
06 But not for Me (G. Gershwin e I. Gershwin) 5m16s
07 There will never Be another You ( M. Gordon e H. Warren) 6m18s
08 Yesterdays (Jerome Kern e Otto Harbach) 8m34s


Bud Shank: sax alto
João Donato:piano
Luiz Alves: baixo
Robertinho Silva: bateria

Ed Motta: vocal em Black Orchid
Rodrigo Scofield: bateria em Black Orchid
Eloir de Moraes: bateria em But not for me
Bruno Araujo: baixo em But nor for me

Produzido por João Donato


http://rapidshare.com/files/218898043/ssoonnss_donatoshank1965.rar

http://rapidshare.com/files/218882799/ssoonnss_donatoshank2007.rar

In a post below I mentioned Mutantes, the most important brazilian rock group from the 60s, with its psychedelic sound, unconventional lyrics, sampling, a sense of humor, avant-garde arrangements by maestro Rogerio Duprat, part of the Tropicália "movement".

So here are their two seminal albums.
Which were a huge influence on me, at the time experimenting with electronics (and drugs).


Quando falei de Cilibrinas mencionei os Mutantes. O público que lerá isto em portugues certamente terá estes discos ou saberá da importancia dos Mutantes.
Quem, por acaso, não,
conheça agora os dois discos seminais desse grupo
que muito me influenciou
nessa época em que eu viajava pelos sons eletronicos (e em outras substâncias).


Os Mutantes (1968)

01. Panis et circenses (3:38)(Gilberto Gil/ Caetano Veloso)

02. A minha menina (4:42) (Jorge Ben)

03. O relógio (3:30) (Os Mutantes)

04. Adeus, Maria Fulô (3:04) (Sivuca/ Humberto Teixeira)

05. Baby (3:01) (Caetano Veloso)

06. Senhor F (2:33) (Os Mutantes)

07. Bat macumba (3:10) (Gilberto Gil/ Caetano Veloso)

08. Le Prémier bonheur du jour (3:36) (Jean Gaston Renard/ Frank Gerald)

09. Trem fantasma (3:16) (Caetano Veloso/ Os Mutantes)

10. Tempo no tempo (once was a time I thought) (1:47) (J. Phillips/ Versão: Os Mutantes)

11. Ave, Genghis Khan (3:48)
(Rita Lee/ Arnaldo Baptista/ Sérgio Dias)

Arnaldo Baptista: baixo, teclados e voz
Rita Lee: voz, flauta e percussão
Sérgio Dias: guitarras e voz

Dirceu: bateria
Jorge Ben: violão em "A minha menina"
Dr. César Baptista: voz em "Ave, Genghis Khan"

Arranjos: Rogério Duprat
Gravado originalmente em 4 canais

Mutantes (1969)

01. Dom Quixote (3:54) (Arnaldo Baptista/ Rita Lee)

02. Não vá se perder por aí (3:15) (Roberto Lafayette Loyola/ Raphael Tadeu Vilardi da Silva)

03. Dia 36 (4:00) (Johnny Dandurand/ Os Mutantes)

04. Dois mil e um (3:55) (Tom Zé/ Rita Lee)

05. Algo mais (2:38) (Rita Lee/ Sérgio Dias Baptista/ Arnaldo Baptista)

06. Fuga n° II (3:41) (Arnaldo Baptista/ Rita Lee/ Sérgio Dias Baptista)

07. Banho de lua (Tintarella di luna) (3:40) (Francesco Migliacci/ Bruno de Fillipini/ Fred Jorge)

08. Rita Lee (3:08) (Rita Lee/ Sérgio Dias Baptista/ Arnaldo Baptista)

09. Mágica (4:42) (Os Mutantes)

10. Qualquer bobagem (4:45) (Tom Zé/ Os Mutantes)

11. Caminhante noturno (5:10) (Rita Lee/ Arnaldo Baptista)

Arnaldo Baptista: teclados, baixo e voz
Rita Lee: voz, percussão e theremin
Sérgio Dias: guitarras, baixo e voz

"Sir Ronaldo I Du Rancharia" (Dinho): bateria
Cláudio (Régulus): instrumentos eletrônicos
Zé do Rancho e Mariazinha: viola, sanfona e voz em "Dois mil e um"

Arranjos de base: Mutantes
Arranjos de orquestra: Rogério Duprat
Gravado originalmente em 4 canais

http://rapidshare.com/files/216765433/ssoonnss_mutantes68.rar

http://rapidshare.com/files/216765435/ssoonnss_mutantes69.rar

Leonard Cohen - Live from the Beacon Theatre (2009)

• "Dance Me to the End of Love"
• "The Future"
• "Chelsea Hotel"
• "Tower of Song"
• "Suzanne"
• "The Partisan"
• "Hallelujah"
• "Recitation With N.L."
• "Take This Waltz"
• "So Long Marianne"
• "First We Take Manhattan"
• "Democracy"

Leonard Cohen: deep vocals, charming hat
Sharon Robinson: vocals
The Webb Sisters: backing vocals
Roscoe Beck: musical director, electric bass, stand-up bass, background vocals
Rafael Bernardo Gayol: drums and percussion
Neil Larsen: keyboards
Dino Soldo: wind instruments, harmonica, keyboard, and background vocals
Bob Metzger: lead guitar, pedal steel guitar
Javier Mas: banduria, laud, archilaud, 12-string guitar

@320kbps

Antes do carnaval eu ouvia o lendário programa Morning Becomes Eclectic na KCRW de LA quando quem apareceu por lá foi o Curumin com o seu Japan Pop Show.

Aqui está a sua apresentação.

Ouço Morning Becomes Eclectic há mais de dez anos, a praticamente cada dia tem um convidado de uma parte do mundo, toca sempre música brasileira, trocou recentemente de apresentador mas continua excelente.


Last week I was listening to the fabled program Morning Becomes Eclectic, on LA´s KCRW, and who showed up in the studio was brazilian samba-funker Curumin with his Japan Pop Show.
Great presentation.

I´ve been listening to MBE for over ten years, practically every day they have a guest from some part of the world, there´s always brazilian songs, the show has a new host now but still´s great.




Curumin Live at the Village (2009)
Morning Becomes Eclectic, KCRW.

1. Compacto
2. Mal Estar Card
3. Misterio Stereo
4. Japan Pop Show
5. Vem Menina
6. Guerreiro

Luciano Nakata Albuquerque Aka "Curumin" - Drums, Vox, Mpc, Cavaquinho
Lucas Da Silva Martins - Bass, Mpc
Marcelo Effori - Mpc, Drums, Vox, Percussion

http://rapidshare.com/files/203796213/Curumin.rar

KCRW

Morning Becomes Eclectic

In the first post I published on this blog i wrote about a terrific folk and protest singer, Odetta, a woman with a powerful voice and an enormous soul, but which isn´t now as well known as other folk staples of the 60s.

Today I would like to show another very talented folk singer from the 60s who strangely didn´t garner a continued sucess and isn´t well known nowadays, although has become quite a cult figure.

Shawn Philips was a fine vocalist, an interesting songwriter, played several instruments, lived in several countries and recorded in diverse musical styles.

First Impressions is in fact his second album, from his 60s folkie period (mostly voice & guitar), with folk classics from Pete Seeger, Leadbelly, etc., theatrical covers (West Side Story, Sound of Music) and original protest songs.
In Contribution - produced with some of Traffic - he was coming out of an English phase composing with Donovan and his sound is going from folk to progressive and rock. In Second Contribution - early 70s - he´s plainly rock and stretching out to R & B.
(The last two albuns came here from my re-issue CD from 2005 which published both records together, so they´re in the same file.)

Shawn Philips has put up a site where you can buy his full discography (with recent records and concerts), see pics, read about his crazy life...

A good bio here (with Shawn teaching George how to play the sitar and more...)




No primeiro post deste blog escrevi sobre uma tremenda cantora de música folk e de protesto, Odetta, mulher de voz poderosa e alma imensa, mas que acabou não permanecendo hoje tão conhecida quanto outros próceres da música folk americana.

Hoje queria mostrar outro talento que surgiu da cena folk nos anos 60 e que estranhamente não transformou-se num sucesso contínuo, sendo hoje um nome desconhecido até dos folkies americanos, embora seja um figura cult dos conhecedores.

Shawn Philips eraum bom vocalista, um compositor interessante de ótimas letras, tocava vários instrumentos, viveu em vários paises e gravou canções em diversos estilos musicais.

O primeiro album mostrado aqui se chama Primeiras Impressões mas na verdade é seu segundo disco, de sua fase bem folk (muita voz & violão) com clássicos de Pete Seeger e Leadbelly, covers teatrais (West Side Story, Sound of Music) e composições próprias de protesto.
Em Contribution - produzido com o pessoal do Traffic - ele tinha acabado de encerrar uma fase inglesa de parcerias com Donovan e seu som já vai passando do folk pro progressivo pro rock. Em Second Contribution - início dos anos 70 - está mais roqueiro chegando aos rhythm & blues.

Shawn Philips montou um site onde se pode comprar todos os seus discos (continua gravando e fazendo shows), ver fotos de sua vida e ler sobre sua carreira maluca.

E aqui tem uma boa bio em ingles (com Shawn ensinando cítara para George e muito mais...)







Shawn Philips - First Impressions (1966)

01. London Town (3:02) - Shawn Philips
02. Seek And Ye Shall Find (3:56) - traditional
03. Theme For The March On Washington (2:11) - Shawn Philips
04. Old Blue (3:11) - Lomax / Roberts
05. Maria (from "West Side Story") (3:38) - Berstein / Sondheim
06. The Bells of Rhymney (3:40) - Pete Seeger
07. Coal Tattoo (2:20) - Billy Ed Wheller
08. Black Girl (3:22) - traditional
09. Miniver Cheevy (2:40) - Shawn Philips
10. Cloudy Summer Afternoon (2:16) - Travis / Edmundson
11. Another Country (3:33) - McKuen / McGuire
12. Storm (3:39) - Shawn Philips
13. Summer Came (3:11) - Shawn Philips

bonus track - My Favourite Things - Rodgers / Hammerstein



Shawn Philips - Contribution (1968)

1. M.H.C.W.
2. L Ballade
3. Not Quite Nonsense
4. No Question
5. Withered Roses
6. For J.F.K., R.F.K. And M.L.K.
7. Lovely Lady
8. Screamer For Phlyses

all songs by Shawn Philips
Musicians

Paul Buckmaster Keyboards
Robin Geoffrey Cable Engineer
Jim Capaldi Drums
Candy John Carr Drums
Jimmy Coff Percussion
Adrian Gaye Guitar
Remi Kabaka Percussion
Chris Mercer Saxophone
Mox Harmonica
Shawn Phillips Guitar, Sitar, Vocals
Peter Robinson Percussion, Keyboards
Mick Weaver Keyboards
Steve Winwood Keyboards
Chris Wood Wind





Shawn Philips - Second Contribution (1971)

1. She Was Waitin' for Her Mother at the Station in Torino and You Know I Love You Baby But It's Getting Too Heavy To Laugh (WOMAN)
2. Keep On
3. Sleepwalker
4. Song for Mr. C
5. The Ballad of Casey Deiss
6. Song for Sagittarians
7. Lookin' Up Lookin' Down
8. Remedial Interruption
9. Whaz' Zat
10. Schmaltz Waltz
11. F Sharp Splendor - Shawn Phillips, Buckmaster, Paul
12. Steel Eyes

all songs by Shawn Philips except F Sharp Splendor by Paul Buckmaster
Orchestral Arrangements: Paul Buckmaster
Musicians
Paul Buckmaster Keyboards, Orchestral Arrangements
Harvey Burns Guitar
Robin Geoffrey Cable Engineer
Anello Capuano
Jim Cregan Guitar
Barry Dean Bass, Guitar
Mike Doud Art Direction
Ian Green Arranger
Ann Odell Keyboards
Brian Odgers Bass
John Michael Palmer
Shawn Phillips Guitar, Composer, Sitar, Vocals
Peter Robinson Percussion, Keyboards
Bruce Rowland Drums
Jerry Salisbury Horn


http://rapidshare.com/files/196812019/ssoonnss_impressoes.rar

http://rapidshare.com/files/196875620/ssoonnss_contribuicoes.rar

Somewhere between leaving in 72 the fantastic rock group Mutantes - with its psych sounds and avant-garde tropicalistic arrangements - and launching in 74 a solo career as one of the top pop-rock brazilian stars, Rita Lee wanted to form an all-girl band and teamed up with glam rocker Lucia Turnbull under the name Cilibrinas do Éden (Eden as in the Garden and Cilibrina being slang for several spaced-out drugs).
They ended up being backed by three guys (who later became the band Tutti Frutti who recorded 4 more albuns with Rita Lee).

Cilibrinas only recorded one record, which is kinda transitional - rocking sometimes, psyching sometimes - but is in fact very good. Recorded live in fron tof a small audience in a pretty straight-forward manner.
Brazilian music industry mogul Midani scraped the record - which stills remains officially unreleased - declaring it not up-to-standards, but mostly because for he had other plans for Rita, as a solo (and better-produced) artist with hit songs.
(Turnbull got kinda dissed in the whole story...)

Finally, after 35 years, brazilian fans operating out of Spain put out this bootleg edition with the original tapes (did someone raid the vault?) which has been spreading through the internet.
Read an article about it last week and tought of talking about it here.


Para quem lê português, a história com mais detalhes está aqui no Ilustrada Pop.
Quando li a matéria na Folha pensei em falar do disco no ssoonnss...




As Cilibrinas do Éden (1973)

01 - Mamãe Natureza (3:41)
02 - E Você Ainda Duvida (4:46)
03 - Minha Fama de Mau (1:49)
04 - Gente Fina É Outra Coisa (3:17)
05 - Paixão Da Minha Existência Atribulada (4:40)
06 - Festival Divino (4:44)
07 - Bad Trip (Ainda Bem) (4:08)
08 - Nessas Alturas Dos Acontecimentos (3:10)
09 - Vamos Voltar Ao Princípio Porque Lá É O Fim (3:56)
10 - Cilibrinas Do Éden (2:48)

ps
this is from an old tape i´ve had for years, so the tracks are in a different order than the No Smoke Records release.

Passei isto de uma fita antiga que tenho, de modos que as faixas estão numa sequencia diferente do que a do recente disco pirata. Mas creio que esta é a ordem do show.

pss

Some of the songs resurfaced in different forms in Rita Lee´s later records.

Algumas dessas musicas ressurgiram modificadas ou nao em discos posteriores de Rita Lee.

Lucia Turnbull - songwriting, vocals, guitars
Rita Lee - songwriting, vocals, keyboards, flute
Luis Sérgio Carlini - guitars
Lee Marcucci - bass
Emilson Colantonio - drums

http://rapidshare.com/files/190770973/ssoonnss_cliibrina.rar

O coração do homem bomba faz tum tum
Até o dia em que ele fizer BUM

Zeca em dose dupla, profusão de rimas internas e ritmos instigantes, trocadilhos, canções em homenagem a Odair José, Raul Seixas, Datena & Geraldo Vandré, titulos como "Jesus no Cyber Café do Inferno" e "Samba de um Janota Só", cover do Karnak... dois dos melhores discos de 2008.


The suicide bomber´s heart goes toom toom
Until the day when it will go BOOM

In 2008 Zeca Baleiro put out two records and both could be in the year´s top ten of brazilian music. The internal rhymns create interesting rhythms even for those who don´t understand the language (but which, of course, will miss his poetry of puns and word associations, and the references to famous brazilian composers like Vandré and Raul Seixas). And the song titles such as "Jesus in Hell´s Cyber Cafe".



Zeca Baleiro - O Coração do Homem Bomba – Vol. 1 (2008)

1. O Coração do Homem Bomba
2. Você Não Liga Pra Mim
3. Alma Não Tem Cor (André Abujamra)
4. Vai de Madureira
5. Elas Por Elas
6. Aquela Prainha (Zeca-Chico César)
7. Ela Falou Malandro (Zeca-Zé Geraldo)(
8. Você É Má (Zeca - Joaozinho Gomes)
9. Bola Dividida (Luiz Ayrão)
10. Aí Beethoven
11. Toca Raul
12. Nega Neguinha
13. Geraldo Vandré (Zeca - Chico César)




Zeca Baleiro - O Coração do Homem Bomba – Vol. 2 (2008)

1 - Era (Wado - Zeca)
2 - Tevê (Zeca - Kleber Albuquerque)
3 - Você Se Foi (Zeca - Totonho)
4 - Datena Da Raça
5 - Na Quitanda (André Bedurê - Zeca)
6 - Jesus No Cyber Café Do Inferno
7 - I'm Nobody (poema de Emily Dickinson)
8 - Trova: Aonde Flores
9 - Boi Do Dono
10 - Pastiche
11 - Samba De Um Janota Só
12 - Como Diria Odair
13 - Debora
14 - Tacape

todas as composições por zeca baleiro a não ser onde indicado

all songs whose authors are not named here were written by zeca baleiro

http://rapidshare.com/files/189387376/ssoonnss_bombmanheart1.rar

http://rapidshare.com/files/189387379/ssoonnss_bombmanheart2.rar

Sacundinbenblog
está fazendo um passeio pela tropicália
apresentando os primeiros discos de caetano, gil, mutantes, gal, tomzé...
Para quem ainda nao tem ou nao conhece, uma ótima.

Sacundinbenblog
is showing records from the Tropicalismo period of Brazilian Music (67,68,69,70)
with the first albuns by caetano, gil, gal, mutantes, tomzé...
Psychedelic & traditional & protest & samba & afro & poetry...

One of contemporary groups I enjoy the most is journalist Stephin Merritt´s Magnetic Fields, whose 2008´s release - Distortion - lives up to the name. On a fuzzy bed of sound re-Jesus-Mary-Chain, soaring melodies.

Um dos grupos atuais que curto mais é Magnetic Fields, onde o jornalista Stephen Merritt compõe, produz e toca quase tudo, gravando a maioria das faixas em apenas quatro canais. Neste lançamento de 2008, o nome do album é uma amostra do som com suas camadas de distorção à la Jesus & Mary Chain.




Magnetic Fields - Distortion (2008)

1. "Three-Way" – 3:01
2. "California Girls" – 3:00
3. "Old Fools" – 3:02
4. "Xavier Says" – 2:42
5. "Mr. Mistletoe" – 2:59
6. "Please Stop Dancing" – 3:01
7. "Drive On, Driver" – 2:51
8. "Too Drunk to Dream" – 3:00
9. "Till the Bitter End" – 3:03
10. "I'll Dream Alone" – 3:08
11. "The Nun's Litany" – 2:58
12. "Zombie Boy" – 3:05
13. "Courtesans" – 2:59

All tracks written by Stephin Merritt.

* Stephin Merritt - vocals, instrumentation
* Sam Davol - cello
* Claudia Gonson - drums, piano, Farfisa organ, backing vocals
* Daniel Handler - accordion
* Shirley Simms - vocals
* John Woo - lead guitar
* A. Klasinski, I. Pearle, R. Stevens - "orgiasts"

http://rapidshare.com/files/188434809/ssoonnss_distorcoes_magneticas.rar

Chico César mergulha nos ritmos populares. O titulo do disco tem 3 Fs. O som acrescenta mais um: Festa.
É a vida tirando a calcinha...


Brazilian singer and composer Chico César in several of the popular rhythms of this country, not only traditional ones like forró, frevo and catimbó but imported ones such as ska and reggae.





Chico César - Francisco, Forró y Frevo (2008)

1. Girassol (4:22)
2. Feriado (3:58)
3. A Marcha da calcinha e A marcha da cueca (Part. Claudionor Germano) (4:38)
4. Comer na mão (4:15)
5. Humanequim (3:54)
6. Dentro (Part. Seu Jorge) (3:47)
7. Abaeté, Abaiacu e Namorado (4:34)
8. Deus me proteja (Part. Dominguinhos) (4:53)
9. Armando (3:13)
10. Zabé (4:11)
11. Solto na buraqueira (4:09)
12. Ociosa (4:12)
13. Eletrônica (3:29)
14. Pelado (Part. Armandinho) (4:07)

produção de BID
mixado por Caldato Jr.

http://rapidshare.com/files/187288684/ssoonnss_chicofranky.rar